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minutes into my conversation with John Leguizamo, he was in tears, unable to get his words out. like a second-class citizen, like she didn’t belong, like she had no right.
We were sitting on a white canvas couch in his dressing room at Studio 54, where he was in previews for his latest one-man show, “Latin History for Morons,” which opens tonight. And then the show made her feel—”He stopped, inhaled, then continued: “Like she had the words and the information to stand up for herself.”Soon enough, Leguizamo was back to his familiar self—raspy, profane, a little macho—as he munched on a Reese’s Peanut Butter Cup left over from Halloween.
John Leguizamo's semi-falsified, one-man stand-up performance as...himself.
This is his autobiographical story, about his life growing up, and his journey to try to be accepted by his father.
Leguizamo tore through alternative-history books, including Eduardo Galeano’s “Open Veins of Latin America,” Howard Zinn’s “A People’s History of the United States,” and Charles C. I had no historical weapons to throw back at anybody about anything. ’ ” Sounding incensed, he went on, “Why do you think we have the highest high-school dropout rate? And sometimes it’s not negative; it’s just absent.”Leguizamo worked on the show over a period of four years, trying out his material in comedy clubs, where audiences were unpleasantly surprised to find themselves at a history lecture. “They were about to burn the place down with pitchforks.”) He could not have foreseen the fact that he would open the show during the first few months of a Presidency steeped in white supremacy—and launched by an anti-Mexican tirade—but that only allowed him to make the show angrier and more urgent.
Mann’s “1491” and “1493.” (He also liked Jared Diamond’s “Guns, Germs, and Steel” but found it Eurocentric, since “the underlying messaging is always that we were inferior somehow, because you guys had guns and steel.”) He discovered, among other things, that Latinos had fought in every American war, including some ten thousand in the American Revolutionary War and twenty thousand in the Civil War (“in the North and the South, I’m sorry to say”). “It gave me permission to be more authentic, to go with my real emotions as opposed to couching them or making them palatable to the crowd,” he said.
John Leguizamo returns to HBO in this one-man stage show to examine the world's most intimate act!
SEXAHOLIX is an affectionate tale of the comic's path to maturation and the women who ...
The night before, he said, “this older woman, she must have been seventy, she goes—oh, my God, I’m going to get emotional.” He paused for a long time, then spoke slowly, taking deep breaths. Amid intermittent success in Hollywood, that’s the form he has come back to again and again, in “Spic-O-Rama” (1992), “Freak” (1998), “Sexaholix” (2001),” and “Ghetto Klown” (2011), taking on everything from his rough-and-tumble Queens upbringing to the pitfalls of fame.The show originally ran at Broadway's Royale Theatre. 4, 2001, the production extended twice before finally closing Feb. The work, nominated for the Tony Award for Best Special Theatrical Event, has played on stages across the country and was taped for airings on HBO.The Colombian chameleon, who first caught the eyes of the theatre world with his one man show Mambo Mouth, later took the Drama Desk Award for Best Solo Performance for his Spic O-Rama.He learned about people like Loreta Janeta Velázquez, a Cuban-born woman who dressed like a man to join the Confederate Army and fought in the battles of Shiloh and Bull Run, and Bernardo de Gálvez, who defeated the British at the Siege of Pensacola, in 1781.“I always wanted my kids to be proud of their heritage,” Leguizamo said—including the Jewish half, on their mother’s side. The neglectful response to Hurricane Maria further underscored the need for Latino representation, and the costs of latter-day colonialism.But seeing Lucas get teased reminded him of his own adolescence, when the bullying was more physical and multiculturalism hadn’t found its way into schools. Not long after seeing the show at the Public, Congresswoman Nydia Velázquez rebuked President Trump in a speech noting that Puerto Ricans fought in the First World War.